Podcast apps and this blog show you the Can’t Win 4 Losing podcast in reverse order. Here’s a handy guide to the episodes in the order they were published. Each post has a player and links to the episode on various podcast apps.
“Showboating Fighters Get KTFO” – that’s knocked the F out – is a popular, and delicious, YouTube genre. But even before the internet, Anthony “Hollywood” Hembrick practically invented the form. An undefeated light-heavyweight contender, Hembrick danced up a choreographed storm with his cornermen before getting KO’d in the first round of a fight on national TV.
Anthony “Hollywood” Hembrick was a light-heavyweight contender, an exciting boxer who was 14-0 with eight knockouts. On June 12, 1990, he headlined a card at Fort Bragg, North Carolina, where he’d served with the Army’s 82nd Airborne Division. With a wildly partisan Army crowd in attendance and a national TV audience on USA Network, Hembrick met journeyman Booker T. Word for the vacant U.S. Boxing Association title, a steppingstone belt on the way to a world championship.
An admirer of fellow Detroiter Sugar Ray Robinson, Hembrick “understood the showbiz angle of boxing,” his manager, Arnie “Tokyo” Rosenthal, says. Hembrick dressed his cornermen in bike shorts had them get “fade” haircuts — this was 1990 — and before the fight, performed a series of choreographed dance moves with them. The crowd loved it.
And then the fight started. Hembrick controlled the first round and buckled Word’s knees with a left hook. But then Word caught Hembrick with a wild right hand, knocking him down face first. Hembrick got up, but never really recovered. Two knockdowns later, the fight was over. A first-round KO.
“Showboating Fighters Get KTFO” is a popular genre on YouTube now. KTFO means knocked the f— out. But even 15 years before YouTube launched, Hembrick’s awful night was the dominant fact of his career.
“Nobody was ever going to forget this night against Word,” Rosenthal says. “It was on USA Tuesday Night Fights. And they would play it year after year after year, you know, in the best and the greatest knockouts and the funniest knockouts. You know, this just gets played over and over and over again.”
This wasn’t the first or last disappointment for Hembrick, who had been the captain of the 1988 U.S. Olympic boxing team and would eventually fight for the world title twice. He retired in 1996 after he was diagnosed with a leaky blood vessel in his brain. His health today is good, he says with a chuckle, “besides some dementia.” He says that manifests itself in forgetfulness, but he doesn’t present as a person struggling with dementia.
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Anthony Hembrick fought professionally from 1989 to 1996, retiring with a record of 31-8-2. He was the USBA light heavyweight champion in 1995. He lost a controversial split decision to Leonzer Barber for the WBO light heavyweight title in 1992, and lost a unanimous decision to Henry Maske for the IBF title in 1993. As an amateur, Hembrick had been a star of the Army team out of Fort Bragg, North Carolina, and was elected captain of the 1988 U.S. Olympic boxing team. A schedule mixup caused him to miss his first fight in Seoul, resulting in disqualification. After his boxing career ended, Hembrick reenlisted in the Army, retiring with a full pension. He lives in Dallas, where he coaches boxing. He’s seen here in a recent photo.
Tokyo Rosenthal is an Americana singer-songwriter who, in one of many previous professional incarnations, was Hembrick’s manager. He’s also been a TV executive and commentator, a photographer and an author. His latest album is This Minstrel Life and his new book is Our Last Seder. For more information, visit his website at TokyoRosenthal.com.
Alfonso “Smitty” Smith was the coach of the Army boxing team at Fort Bragg, and also worked in Hembrick’s corner during his professional career. Smitty says he didn’t have any say in the choosing of Hembrick’s opponents, but didn’t like the idea of Booker T. Word from the start, because Word was a “short, muscular guy that stayed in his chest,” exactly the kind of fighter who always gave Hembrick problems, “even in the gym.” Smith was inducted into the Carolina Boxing Hall of Fame in 2009.
Diego Luke was a promising youth hockey player in Minnesota-“The State of Hockey”-until kidney disease forced him to step away from the game. His comeback was interrupted by a bout with cancer. Yet he returned to the ice again.
Hockey in Minnesota is like football in Texas. It’s the sport, which is why Minnesota is known as The State of Hockey. Diego Luke was a promising youth hockey player in St. Paul when he was diagnosed with Stage 3 kidney disease. He would need dialysis and, eventually, a transplant.
He fought through some dark days — literally fought on one occasion, with a nurse Luke’s mild-mannered mom describes as “a bitch.” The cops came. The situation was sorted out, and finally, so was Luke’s health. But not for long. Next came a diagnosis of non-Hodgkin’s lymphoma, and more life-and-death struggle that would keep Luke away from the ice.
In this episode, Diego Luke tells his own story. He’s a college freshman now, playing club hockey and wondering what might have been if he’d been healthy, but also appreciating the chance to play the game he loves. “Every game I’m playing,” he says, “I’m winning.”
Luke chronicled his teenage health story on the Tumblr blog Diego Gets a Kidney.
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I eventually decided to make up the song for real. Then I asked my old bandmates in The Smokejumpers if they’d record it, and they agreed. When I asked them what name they wanted to use for the recording, they said “The Smokejumpers,” which is how I found out I’d been kicked out of the band. They didn’t have time to take a new band photo so they just re-worked an old one.
That’s drummer Big Stick Mick (Michael Minnick) in front, and guitar player Tom “Double D” Thumb (Tom Proulx) jumping. Tom does the singing and, I think, plays all other instruments on the recording. Noah “Butta” Fingers, one of several Smokejumpers bass players, was cropped out of this photo taken in the Powell Street Bart Station in San Francisco around 1997.
Weight cutting. It’s hard. It’s painful. It doesn’t really give fighters a competitive advantage. And it can be deadly. Andrew Stelzer on some fighters’ toughest battle, the one fans never see. Plus: King Kaufman on Billy Conn, “The Pittsburgh Kid,” who gave Joe Louis all he wanted – and then gave him a little too much.
We thought we’d have fun with our clickbait headline, but cutting weight is no laughing matter. As Andrew Stelzer reports, athletes in combat sports sometimes go to extreme lengths to rapidly lose weight leading up to the weigh-in. Then, having made the contracted limit, they try to pile the weight back on in the 24 hours before the match.
As you might expect, this is unhealthy, leads to poor performance, and can even be deadly. The idea is to fight at the lowest possible weight class, preferably one significantly below what you actually weigh when the bout begins. But since it’s common for both contestants to be cutting weight, they’re usually risking their health without gaining a competitive advantage.
Imagine how much better the sports would be if the athletes were climbing into the ring or cage in peak physical condition, rather than drained by the weight-cutting routine. Stelzer interviews fighters in various disciplines, as well as health experts and sport officials about how combat sports can solve this problem.
Andrew Stelzer is a journalist in Oakland, California. You can hear more of his work at AndrewStelzer.com.
Player photo by Peter Gordon (CC by 2.0). Stelzer photo courtesy Andrew Stelzer.
Also in this episode: Billy Conn
Billy Conn was light heavyweight champion of the world in the late ’30s and early ’40s. He was in the inaugural class of the Boxing Hall of Fame, and the Associated Press ranked him as the ninth best pound-for-pound fighter of the 20th century. On top of all that, he had Irish charm and Hollywood looks.
He even starred in a movie about his own life, though his greatest movie moment was getting mentioned by Rod Steiger at the beginning of the famous “I coulda been a contender” scene with Marlon Brando in “On the Waterfront.”
But all anyone outside of Pittsburg remembers about Billy Conn is a fight he lost. It was in 1941, and he had moved up in weight to challenge heavyweight champ Joe Louis. Conn was such a hero in Pittsburgh that the Pirates baseball game was suspended for 54 minutes so the crowd at Forbes Field could listen to the fight over the loudspeakers.
For 12 rounds at the Polo Grounds in New York, the Pittsburgh Kid had the Brown Bomber beat. But then he decided it wasn’t enough to beat the great Joe Louis. He wanted to be the guy who knocked out the great Joe Louis.
“What’s the point of being Irish,” he shrugged a few minutes after Louis knocked him out in the 13th round, “if you can’t be stupid.”
Tim Conn helps tell the story of his father’s moment in the spotlight, and the 50 years he spent reliving it, including his long friendship with Louis. Biographer Andrew O’Toole, author of Sweet William: The Life of Billy Conn, discusses Conn’s legacy as well.
The Boxer and The Blonde by Frank Deford, Sports Illustrated, 1985
In the words of the subhead: This is the story of Billy Conn, who won the girl he loved but lost the best fight ever. Not many photos, but they’re great.
BillyConn.net — Plenty of photos, and lots more, at the family’s official site!
The song that plays throughout the story about the Billy Conn-Joe Louis fight is “The Pittsburgh Kid” by The BibleCode Sundays. They are a band from London who gave us permission to use their song about the great light-heavyweight who almost beat the Brown Bomber. Thanks to Andy Nolan for that.
The BibleCode Sundays’ new album is called Walk Like Kings. It includes guest appearances by Russell Crowe and Declan MacManus, the older brother of band member Ronan MacManus. You might know Declan by his stage name, Elvis Costello. The BibleCode Sundays are on tour in the U.K. for the rest of 2017.
An expanded version of a story that was featured on NPR’s “Only a Game”: As a football player in high school and college in Houston, Michael Porter played on teams that went a combined 0-77. So what did he do next? Became a coach at his alma mater.
Michael Porter was a good football player at Jefferson Davis High School in Houston. The trouble is, he was the only one. They were in the middle of an eight-year, 80-game losing streak, the longest in high school history.
Then Porter played college ball at Prairie View A&M—which was in the middle of an 80-game losing streak, the longest in NCAA history.
Now Porter’s the coach at his alma mater, renamed Northside High.
This story is an update of Can’t Win 4 Losing‘s pilot episode, which aired in July. It’s also an expansion on host King Kaufman’s story that ran on NPR’s Only a Game on Nov. 18, 2017.
Porter was on a bus returning to Houston from a Prairie View A&M loss when an assistant coach told him his high school had won. The coach had seen a newspaper. It was national news. The team photo above is on the wall of the Northside football team’s weight room.
People in the story
Michael Porter is the head football coach at Northside High School in Houston, which was called Jefferson Davis when he was a student there from 1988-92. He was a running back on the football team who was good enough to play as a freshman. One newspaper account described Davis’ entire offense at the time as “Michael Porter left, Michael Porter right.” After being part of the longest losing streaks in high school and NCAA football history, he was hired as an assistant coach at his alma mater. He took over as head coach in 2013.
Chuck Arnold was the head coach at Davis from 1991 through 2012. He led the team to an undefeated season and the state playoffs in 2008, but is probably best remembered for bringing the eight-year, 80-game losing streak to an end in 1993. Porter says he still checks in with Arnold for advice on football and coaching. This photo is from 2011.
Gerald Garcia is an assistant football coach and the former baseball coach at Northside High. When Arnold was a rookie coach and Porter was a senior, Garcia was “the young guy coach,” according to Porter. Now, he’s an elder statesman of the program. “I didn’t talk him out of retiring,” Porter says, “but I’ll just say I’m glad he’s still here.”
Ja’Michael Jordan was a sophomore defensive tackle on the Northside football team when he was interviewed for this episode. Patrick Brown was a senior running back. Jordan is now a junior and Brown has graduated and is attending college. You can watch Jordan’s highlights and Brown’s highlights at Hudl.com.
The absence of photographs is a result of King Kaufman’s inexperience as a podcaster when he was reporting this episode!
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Football in Mexico. Not soccer. American football. Jonathan Tinajero is chasing his NFL dreams in Mexico City. How did a small-college defensive back from East L.A. end up playing pro ball south of the border? Juan Reyes reports. Plus: Paulie Soda, a loser among losers at Fat Nick’s candy store in the Bronx, 1953.
Jonathan Tinajero was excited. He’d been scrolling through Facebook when he discovered a professional football league in Mexico. A native of East Los Angeles, Tinajero had dreamed of playing in the NFL, but his football career had fizzled in college. This looked like a fresh opportunity.
His father laughed at him. The LFA? La Liga de Futbol Americano Profesional? That’s a soccer league, son.
Dad was wrong. The LFA is hoping to capitalize on the NFL’s popularity in Mexico, and soon Tinajero, a defensive back and wide receiver, was in Mexico City, playing for the Mayas, chasing those dreams again, and learning that the LFA is not exactly the NFL. Juan Reyes reports.
Juan Reyes is a sportswriter for the Santa Cruz (California) Sentinel. He reported this story from Mexico City. For a gallery of photos of Tinajero and his Mayas teammates, click here. All photos are by Juan Reyes and Montse Lopez Flores.
Paulie Soda
The episode opens with our first story of losing from a listener. Jim Morfino called in with a memory from his childhood in the Bronx. Morfino, 74, lived across the street from Fat Nick’s candy store, which was really a bookmaking operation. “I don’t think there was a legitimate candy store in all the Bronx,” Morfino says.
Paulie Soda drove the soda truck, and was one of many Damon Runyon-type characters hanging out around the candy store, where Jim and his friends hung out after school. “Paulie was a loser,” Morfino says. A big problem for Paulie was that he hated the Yankees, so he bet against them all the time. A bigger problem: It was 1953, and the Yankees were on their way to winning their fifth straight World Series.
One day, though, Paulie let Jackie Pads talk him into betting on the Yankees. Just this once.
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Johnny Rawls
If you’ve been listening to Can’t Win 4 Losing, you’ve heard our closing theme song, “Can’t Win For Losing” by Johnny Rawls. Now you can hear the story behind the song, as well as the story of how it became our theme. The Mississippi bluesman sat down for an interview before a gig in Fremont, California, earlier this year.
“Sing Swing Bada Bing” by Doug Maxwell
“The Duel” courtesy of Bensound.com
“Hold My Hand (Ambient Mix)” by Ars Sonor
Music by Chris Banks Used with permission or via Creative Commons licenses.
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New York Giants fans-and almost no one else-remember Trey Junkin. He was a long-snapper in the NFL longer than anyone, ever. For 19 years he was an anonymous perfectionist working in the game’s trenches. Until his very last snap. In the playoffs. As host King Kaufman reports, Junkin’s been living with that bad snap for 15 years.
Trey Junkin was a long-snapper in the NFL longer than anyone else, ever. He can count on his fingers the number of bad snaps he made in 20 seasons in the NFL. But if you remember him, you remember him because of his very last snap. And it was a bad one. Also: You are a New York Giants fan.
Junkin played in the NFL for 19 seasons — “it kinda pisses me off” that it wasn’t 20, he says.
But he did play in a 20th season. He’d already submitted retirement papers when Giants general manager Ernie Accorsi called him and asked if he could snap for punts in a wild-card playoff game in San Francisco. Junkin, 41 and with a bad knee among other ailments, hesitated, but agreed.
Junkin practiced with the Giants for only a couple of days, but head coach Jim Fassel asked him to add placekick snapping to his duties. Again, Junkin hesitated. He had barely practiced with the unit, and while it looks simple, the process of snapping on placekicks, and “that triangle: snapper, holder, kicker,” is complex.
“There’s a million things that can go wrong,” he says. “And there’s only one thing that can go right.”
Fassel insisted, and Junkin agreed.
Things went well in San Francisco until they didn’t. The Giants built a 38-14 lead late in the third quarter, with all punts and kicks going smoothly, but the 49ers launched a furious comeback to take a 39-38 with just over a minute to play. Along the way, a first disaster: A bad snap on a field goal attempt that would have extended the Giants’ lead to 41-33.
And then, with six seconds to go, the Giants lined up for what would have been the game-winning kick.
“My fault,” Junkin says about those two snaps. Not the whole game. Not the second-half collapse or the officiating mistake that ended the game rather than properly giving the Giants one more snap. But that last bad snap? “That’s mine.”
Giants fans still cringe at the mention of Trey Junkin’s name. His career was the 16th longest in NFL history, the sixth longest among non-kickers/punters. The names above him on that list: Jerry Rice, Brett Favre, Bruce Matthews, Darrell Green and Jim Marshall. Four Hall of Famers and one (Marshall) who should be.
For most of his 19-plus years in the league, he was anonymous, a perfectionist working in the game’s trenches. But all anyone remembers about him now is that one snap, his last.
He’s well aware of this. He’s thought about it a lot. He’s talked about it a lot. And he welcomed me to his home in Winnfield, Louisiana, to talk about it for Can’t Win 4 Losing.
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“In the West” by Kevin McLeod (Creative Commons 4.0)
“Room With a View” by Jahzzar (Creative Commons 3.0)
“Horses to Water” by Topher Mohr and Alex Elena
“Call to Statesmanship” by U.S. Army Herald Trumpets
“Bravura” by U.S. Army Band Except as noted: public domain or Creative Commons non-attribution license.
Did you catch the NFL Films music vibe we were going for?
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Zippy Chippy ran 100 races and lost 100 times. But he was a star, one of People magazine’s 50 Most Intriguing People. And so many fans bet on him that he routinely went off as the favorite. Now, in retirement, champion thoroughbreds who earned millions of dollars owe their lives to this ornery old cuss.
Zippy Chippy ran 100 races and lost 100 times. But he was a star, featured in People magazine and on “Good Morning America,” among many others. So many fans bet on him that he routinely went off as the favorite. Most of those fans didn’t know that Zippy was hardly a lovable underdog who goshdarnit gave it his all but wasn’t good enough.
“Nobody got too close to him,” says William Thomas, author of the horse’s biography: The Legend of Zippy Chippy. “Even the grooms and the hotwalkers were very leery.”
Zippy was, and at 26 still is, an ornery cuss. He’s been known to bite, and he once caught his owner and trainer, the late Felix Monserrate, by the back of his jacket and held him suspended in midair for 15 minutes. Track workers came running at the sound of Monserrate’s screams, but they weren’t able to help him. They were laughing too hard.
Zippy Chippy had a champion’s bloodlines. He’s a direct descendent of Man o’ War, three TripleCrownwinners and the greatest broodmare of the 20th century, La Troienne. Bloodlines are everything in thoroughbred racing, but Zippy Chippy parlayed that advantage into a career of futility that began at Belmont Park in New York but ended at fairground tracks in Massachusetts. His career winnings were about $30,000.
Zippy Chippy lives now at Old Friends at Cabin Creek, a thoroughbred retirement farm in upstate New York whose owner, Jo Ann Pepper, refers to herself as Zippy’s mom. And here’s the twist: Zippy is so popular that, through donations and merchandise sales, his presence pays for the upkeep of a small herd of horses who won millions of dollars and stood in the winner’s circle at major races.
“This is the most beautiful irony of any story I’ve ever come across,” Thomas says.
As you’ll hear in the story, what happens to thoroughbreds when they come off the track is a serious issue in the racing industry. The Old Friends retirement farms are supported entirely by donations, volunteer work and merchandise sales. Please consider donating or, if you’re in the area, volunteering. Visit OldFriendsEquine.org to learn how you can help these magnificent animals.
This summer Can’t Win 4 Losing visited Zippy, his caretakers and his fellow retirees, including his bosom buddy, Red Down South. Click on Zippy’s smiling face for a gallery.
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“William Tell Overture” by Rossini
“Ipanema Daydream” by Bird Creek
“The Creek” by Topher Mohr and Alex Elena
“Dreamland” by the 126ers All are either public domain or used under a Creative Commons license.
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One of the most painful ways to lose in sports is a city losing its team. San Diego Chargers fans were heartbroken when their team moved to Los Angeles. But not all of them. Maya Kroth reports from San Diego. Plus: King Kaufman on one of several teams that have left St.
One of the most painful types of losing in sports is when a city loses its team. San Diego Chargers fans were heartbroken and angry when their team moved up the freeway to Los Angeles this year. They burned jerseys and threw eggs at the team headquarters.
But not all of them. “Not having the NFL be in your city is a win,” said writer and sports commentator Dallas McLaughlin. “There’s no way it’s not.” With the Chargers struggling to convince an indifferent L.A. to pay attention to them, Maya Kroth reports from San Diego now that the Bolts have bolted.
Plus: The St. Louis Browns check off two boxes for this show. Their city lost them when they left town and became the Baltimore Orioles after the 1953 season, and in their half-century in the Lou, they were consistent losers.
You’d have to be at least 70 or so to even remember the Browns existing. But there’s still a St. Louis Browns fan club, and the guy who runs it, Emmett McAuliffe, isn’t even 60. Host King Kaufman talks to him about the appeal of a team he never saw — at least not before the Orioles wore throwback Browns uniforms during a road series against the Cardinals in 2003.
Also, author Burton Boxerman talks about growing up as a Browns fan, and how, once they left, he had to find a new team to root for and he picked the Chicago Cubs, because their relentless losing reminded him of his beloved Brownies.
And Ed Mickelson, 91 years old and one of 14 living former Browns, talks about his brief but memorable time at Sportsman’s Park. He wasn’t a Brown for long, but he did drive in the last run in the team’s history. It was the only run they scored that day as they went down to their final defeat.
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People in the episode
Chargers
Maya Kroth is a freelance print and audio reporter based in Mexico City. She’s available now for reporting on the aftermath of the Mexico City earthquake. You can find her work at mayakroth.com. Editors seeking coverage should contact her via Facebook messenger.
Matthew T. Hall (referred to as Matt Hall in the story) is the editorial and opinion director at the San Diego Union-Tribune.
John Abundez, pictured above, is a lifelong Chargers fan better known as Johnny Bolt Pride. He says he has never worn a jersey with an owner’s name on the back. He roots for his team, and remains a Chargers fan even though they’ve moved to Los Angeles.
C-Siccness is a San Diego hip-hop artist whose song “Save Our Bolts” was used in this episode with permission.
Browns
Emmett McAuliffe is an intellectual property lawyer in St. Louis and a member of the board of the St. Louis Browns Historical Society. His law office is filled with Browns memorabilia. Click his photo for a gallery.
Burton Boxerman is the author, with his wife, Benita Boxerman, of many books about baseball history and other subjects, including Jews and Baseball, Volume 1 and Volume 2; and Ebbets to Veeck to Busch: Eight Owners Who Shaped Baseball. They are working on a biography of Bill DeWitt Sr., who was a Browns executive and owner, and the father of the current Cardinals owner, Bill DeWitt Jr.
Ed Mickelson is one of 14 living former St. Louis Browns. He was a first baseman who spent the last few weeks of the 1953 season with the Browns, driving in the last run in team history during a 2-1, 11-inning loss to the Chicago White Sox on Sept. 27, 1953. Mickelson, 91, had a solid, 11-year career in the minor leagues and played briefly in the big leagues for the Cardinals and the Cubs in addition to his stint with the Browns.
After retiring from baseball, Mickelson was a football and baseball coach and a counselor in St. Louis-area high schools, retiring in 1993. His 2007 memoir, Out of the Park: Memoir of a Minor League Baseball All-Star, is notable for its honesty about his post-career depression. This photo from a Browns Reunion Luncheon on Sept. 26, 2017, shows Mickelson, left, talking to his friend and the most famous living ex-Brown, Don Larsen.
“Movie Piano Theme” by EK Velika
“St. Louis Tickle” by Heftone Banjo Orchestra
“Hot Swing” and “Gaslamp Funworks” by Kevin McLeod
Used under the CC BY 3.0 Creative Commons license.
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You spend a lifetime as the long-suffering fan of a losing team. It shapes who you are. And then: They win it all! Authors Scott Raab (“The Whore of Akron,” “You’re Welcome, Cleveland”) on the Cleveland Cavaliers and Barry Gifford (“In the Neighborhood of Baseball,” “Wild at Heart”) on the Chicago Cubs.
You spend a lifetime as the long-suffering fan of a losing team. It shapes who you are. And then: They win it all! Authors Scott Raab (The Whore of Akron, You’re Welcome Cleveland) on the Cleveland Cavaliers and Barry Gifford (The Neighborhood of Baseball, Wild at Heart) on the Chicago Cubs. Plus: Host King Kaufman visits yet another championship parade for his once-hapless Golden State Warriors.
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I interviewed Barry Gifford at his writing studio in Berkeley, Calif., the in-law apartment of a house he owns there, and Scott Raab in the attic of his house in Glen Ridge, N.J. In both cases, I made the rookie podcaster mistake of forgetting to ask if I could take a photo. I had a quick selfie Raab had texted me so I would recognize him when he picked me up at the train station. I told him I realized that probably wasn’t for public consumption and asked if he wanted to send me a different photo. So he sent me a different quick selfie. The Gifford photo is by Tabercil (Creative Commons CC BY 2.0).
Read and watch more
Believeland — Scott Raab appears in and is a producer of this ESPN 30-for-30 documentary.
Cavaliers
“On My Life” by Letter Box
“Walking the Dog” by Silent Partner
“Bluebird” by E’s Jammy Jams
“Down n’ Dirty” and “Right to Be” by Jingle Punks Cubs
“Sing Swing Bada Bing” by Doug Maxwell, Media Right Productions
“Bar Crawl” by JR Tundra
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